Showing posts with label character. Show all posts
Showing posts with label character. Show all posts

Saturday, October 27, 2012

7. Components







It not just Matopos, its a characteristic of all places. In fact it is not only a characteristic of ecosystems, its there in many things we deal with… the basic components or parts of the larger whole. The elements that constitutes the whole. When reading a little more about the word component - the dictionary suggested to also look at the word compound, and that brought me to the word aggregation… which is very different from compounds, but each describes in its own way how these systems are constructed. So this is how I look at my world, and therefore how I see Matopos, the larger whole made up of many different building blocks, some in compounds others mere aggregations of elements - which ever way it comes together - there are numerous elements which ultimately constitutes what we know as Matopos.

There is a lot which is of importance here - its not only what the specific components or “ingredients” are, but more importantly how they all are assembled, how they fit together and in some cases how they merge or fuse into something else or change in character. At another level, the overall whole is affected by the way in which these components, aggregations and compounds interact - how they integrate to create a larger whole. Their specific dynamics create the whole which we often refer to as the ecosystem, or should we want to be smart and include the human component, which we should, then we refer to it as the socio-ecological system. This system is then controlled or its interactions determined, or driven by outside factors such as sunlight and rainfall, and economies at various levels. So while the system is composed of specific components the way in which they are assembled, aggregated and fused, determines their interactions and dynamics - and ultimately the behavior of the system.

The individual components my be inert - sterile, but the way in which they act and react upon one another, how they interact and these smaller interactions merging and fusing into larger dynamics - this is what makes it special, functional and worthy of further consideration!

Most probably because of this, I often get the feeling this place is alive… yes its alive with animal and plant life, but more than that, when you pause to look and feel, you often feel it breath… not hear, feel. There’s the presence of the place that gets to you. Like a ridiculously large behemoth. In places the ancient exoskeleton is exposed and the granite is pealing off like old dry skin… with a mosaic of lichen dandruff and warts and large grassy hairs remaining in the creases and crevices. New growth is evident in the soft areas between the hard exterior and the softer belly. Where the hard exterior gives way to the softness of dark rich soil. Covered with vegetation, drying in the winter sun like a huge butterfly waiting for its wings to harden against the forces brought upon it by the next part of its continuous life-cycles. In a not too dissimilar fashion this place reveals all the possibilities of evolutionary life seen in times gone by and present. 

When I stand at the edge of numerous wetlands or vleis in summer and the ducks arrive from no-one really knows where, and the frogs and other amphibians emerge from their clay tombs, I think of it as the gills of an exceptionally large salamander, most sensitive and vulnerable to the outside world if not treated with care. I think of pollutants burning into those sensitive breathing apparatus and wish for a major storm to flush it clean of chemicals, to leave it clean and pristine so the heron can stare at it own reflection for days on end…. So other critters can complete life-cycles of their own and birds can hang their nests out of harms way… so life can play its role in the lives of the different layers of life represented in this place.

Further afield the rocks and boulders build up in massive aggregations or monstrous monoliths, like the one near Mbalabala, a huge wart on our critters back, together they all form when you fly over Matopos the wrinkled back of our friend. Trusting the world, its exposed capillaries merge into small veins and arteries joining in where valleys merge into larger rivers channeling life giving water to man and beast. It amazes me how hard the skeleton can be and how trusting it exposes the softest parts of its existence to the world, to use and abuse.  Not questioning our intentions - jut giving and trusting.  

The outer layer is in most places, hard crusty rock - like the exoskeleton of an old insect of ancient crocodilian, in places it gives way to softer skin, rich soils from which grass and trees emerge making then best of the opportunity provided to them. When you scratch too hard here, you will expose the soft inner being, and if you dont care for it, it will become infected and erode away into large gullies, which like the wounds of an old person, it never really heals. So be careful where you place your roads and stalls and gates. Just like the human hand is composed of delicate bones and tendons and muscles and skin, perfected with nails and pores and hair in the masculine version or simply soft and smooth…. Such are the places in Matobos when you look for it, or if you are prepared to see it…  delicately put together with the minimal use of components, unlike the the extravagant rain forests of Costa Rica or elsewhere, Matobo is a place of modest minimalism. How contradictory can that be? Let em explain - the individual components are minimal, simple without ostentatious flair, just there - but when you look at the whole, you allow the human eye and mind to comprise the symphony of place and spirit to come together, then it the simplicity merges into the greater whole… the basic components aggregates and compounds into what we realized in our simplicity as a place worthy of international conservation status…




 
     

Sunday, September 16, 2012

6. Geo-Anthropomorphism


This to me, this looks like the gathering of the elders,
engaged in serious conversation over grave matters.


Please visit the The Arts in Focus to obtain information about our 2014 Matopos Calendar - 
an initiative supporting rhino conservation in Zimbabwe.


If I could be like Matobo

As an enthusiastic student I was frequently warned against it, the greatest sin a zoologist could commit - anthropomorphism. Describing animals and their behavior in terms of human characteristics was taboo. In those days animals were not supposed to behave in human ways or show emotions. Not sure if this is also a sin in Geography, but its the only way I can describe Matobo and the influence it exerton us as we travel through it.

If I could be like Matobo - bold and generous, gentle and fertile, grandiose but true to it, larger than life itself, but still sincere - what a life that would be? To handle life with all its challenges, droughts and floods, eons of climate change, frosty winter mornings and sweltering summer days, bathing in showers and lit up by lightning while listening to the distant music of thunder… Imagine harboring rhinos and sheltering sable and eagles and have enough delicate space for mosses and lichens! And to be able to do all of this with grace and confidence the way Matobo holds itself together with broad granitic shoulders and boulders and fertile wetlands and grassy meadows.
If I could be like Matobo - bold and generous, gentle and fertile, grandiose but true to it, larger than life itself, but still sincere - what a life that would be? To handle life with all its challenges, droughts and floods, eons of climate change, frosty winter mornings and sweltering summer days, bathing in showers and lit up by lightning while listening to the distant music of thunder… Imagine harboring rhinos and sheltering sable and eagles and have enough delicate space for mosses and lichens! And to be able to do all of this with grace and confidence the way Matobo holds itself together with broad granitic shoulders and boulders and fertile wetlands and grassy meadows.
Complex geomorphology, and diverse plants.
I love the way some plants grow high in these hills,
there cant be much soil there - 
but this land is 
generous and accommodating.
The mother and child - how long has she cared
for the children of Matobo?



Have you noticed how proud those hills can be? Rich in character, with the years showing in their faces and postures alike, but still proud, still going about their daily chores with focussed diligence, without fail. Whether they are draped in generous layers of moss and lichens, standing tall amongst great botanical diversity in the national park, or bare in the desolate over-grazed communal landscape, these hills are never stripped of their pride and dignity. Those in the communal areas, accustomed to human presence and attention often reveal so much more of themselves. Unashamedly they invite you in, like the local inhabitants will invite you into the rich cool atmosphere of their huts and share a meagre meal of maize on the cob and sweetened tea. 

Matobo could be an old man, graciously allowing the world to build paths and schools and lives while nurturing a thousand fields and producing grazing for a nation’s cattle, providing stones for generations of catapults and logs for kraals and mud for humble huts. Even, allowing Rhodes to carve into it an empire and a grave. Yielding abundant golden fields of grass, turned into bundles of thatch by women with dextrous sickles. As their clear voices sing lonely tunes, I can clearly imagine him, Old Matobo, lying back content for what he gives.



And then there is the feminine side of this place, the ability to spawn new generations of everything within her, and within her reach… trees, the thatching grass, the grazing and even the human spirit, our values and the goodness of the veldt. She will allow the water to run from her noble shoulders and accumulate in streams and rivers, channeling it to places in need, where thirsty cattle will congregate to drink and settle to rest and ruminate… allowing this place to strengthen them, mold them and sustain them - like we all should.

What better place can there be, to stimulate the heart and soul of a thinking being? Can there be a better place to grow into the person you ought to be? Matobo changes you, shapes and builds you. It prepares you for the rest of your life, like it prepared the proud Ndebele nation for what was to lie ahead in their history. Matobo spawned important people, proud kings and distinctive leaders, to this day. There is no other way, if you, or a nation submit to this place and accepts its influence, you can only emerge as a finer being or greater nation on the other side.

I am staying a little longer, if I may.
















Sunday, August 19, 2012

3. Photographing Place and Character


Matopos National Park.
Hasselblad negative scanned.
Bill and I were talking today (I went to pay him for the Voigtlander!), about photographing a place like Matopos. The question in my mind is: why live in the immediate vicinity of an incredibly photogenic place like Matopos for nine years without making a serious effort to photograph it? Surely, it cries out to be photographed? There is so much: Grandiose granite would be a definite understatement! If it was manmade, many would have said that perhaps the architects went slightly beyond the original brief, if not completely overboard! 

Although the objective of our ambling conversation was not aimed at answering my nagging question, we did touch on it and probably came very close to the real answer.  The main reason why the lag between first seeing and seriously considering Matopos as the subject of a photographic project, constituted 9 years, is most probably a function of understanding, and I mean a fundamental understanding… Actually it is more than understanding - you need to feel the place, its character and moods. Once seeing how the seasons change and attempt to control and mould the place and in turn seeing how she fights back, resists and maintain her own… I guess you need to see it emerge from, heal itself, after a devastating fire, or being cut down again during the dry season after a spectacular rainy season… You need to freeze there, feel how the granite can sap the last heat out of your body, or you need to sweat in the heat, cycling a mountain bike through it - hating yourself for even attempting it, and enjoying the triumph of one of these views once you reach a summit. 

Hasselblad - Printed on Ilford FB paper & scanned. 

You need to experience it first hand on numerous occasions, with different friends for different reasons, alone or simply with your immediate family, to celebrate birthdays or sitting on a massive rock contemplating the death of your sister, a lifelong friend, or, as in my case sitting in the same spot coming to terms with the fact that I have escaped certain death. Seeking out a path through the labyrinth of rocks and boulders and trees in a two dimensional world, teaches you a lot about Matopos and about yourself. The first time I went back there I needed a helping hand - a guide. But things improved thereafter and now I am confident and can go there alone. I think its a process of seeing and experiencing these transitions, not only within the physical environment going through seasons and droughts and fires, but also the transitions in you as a human being going through this place. Its molds you, cradles you, supports you and if you open yourself to it, you learn from it. It has many lessons.
Hasselblad - Printed on Ilford FB paper & scanned.
As the granite changes at the pace of eons, slowly tinkered by frost, heat and cold and by the chemistry of the earth, similarly we have our own core, the rigid center of our being, which budges for nothing less than death itself. The next layer is still long lived, trees counting life cycles in hundreds of years growing alongside their granitic brothers. Further layers follow in the form of young trees, shrubs, grasses and brittle herbs in the early rainy season. The most vulnerable is the thin outer layer of lichens and mosses - fragile as our own skin or sensitive as our hearts. Often in the misty rains you will see the tears roll down these boulders and accumulate in tiny streams - feeding the earth, nurturing and promising this complex giant a new phase of growth and prosperity, starting another cycle. New life.

Defunct Gatepost. Matopos.
Bill's Voigtlander.  Printed on very old
Agfa paper & scanned.
In my human arrogance, nine years seems to be a reasonable apprenticeship… Seeing nine cycles before my eyes, in the morning on my daily commute, at dusk at down, in pitch black darkness during a fishing trip - watching goats and cattle auctioned with a the granitic backdrop of Matopos, seeing children grow up as they walk to school, seeing young women with proud shoulders carrying water in the mornings turning into plump mothers with blankets supporting new babies on their backs and fresh wheelbarrows turning into rusty wobbly wheeled devices of local frustration… I am almost convinced that the first chocolate donkey I saw as a young jolly soul, is now a harness scarred cynical old girl with a matted coat, but as stubbornly willing as the first day she was used in front of that cart.   

Having seen all of this, and being molded and shaped by life through some beautiful and some not so beautiful challenges - I think this place has opened up to me, a sliver wide enough to see her heart and to graciously  allowing me to point a camera onto her noble face and character. I shall take this honor with dignity, and do my utmost to portray this place with enthusiasm and passion.


I just love this place!
Hasselblad negative scanned