Showing posts with label Andre. Show all posts
Showing posts with label Andre. Show all posts

Sunday, June 15, 2014

18. Matopos’ Future




As my son and I walk down the sandy road we read yesterday like a book. A rhino walked along this path; you can feel his presence in his footprints, the size of dinner plates, meticulously measured intervals, in a neat row. He was here all right, he did not stop to eat, nor did he hesitate at the low water bridge, he walked with diligence and measured intention to the midden where he discarded the remains of a few meals, kickstarting the cycles of the dung beetles and flies.

“I wonder how often he comes this way”, my son asks, even though there is no need to answer that question. We examine the rest of yesterday’s entomological history written in the clean slate provided by the rhino. We can tell the passage of the insects, even to the species, here and there we can even tell that the chat were hunting ants as their trails suddenly ends where their path crossed that of the chat. The end of another life. The chat’s chicks will not mind though.

For many reasons, we humans are intensely interested in knowing the future. Some make predictions, some stare into crystal balls, and others construct computer models, but tomorrow remains largely unknown. There are no accurate methodological approaches to study details of the future.

However, we are incredibly good at studying the past. We can learn so much - the forms, the functions and the workings of things, the patterns, the processes and cycles and the dimensions of time. There are so many things we can decipher and measure in the past that may help us to understand something of the future.  We learn the amplitude of events and from that we can at least say what limits the future may conform and behave to, or the boundaries the future will adhere to or within. 

When the camp attendant drops a wheelbarrow of wood near our fireplace I can see the rings in the wood where the sharp axe cleaved through time. The age of those branches and trees can be determined in a manner similar to that which my fellow students at university counted the growth rings in the teeth of predators and other beasts… their history trapped in their own bones, the leaner times marked, and promising an era of more rapid growth. All the way through time until you get to the outer layer, the year before death… the ultimate end. 

At a much larger scale, the rivers may cut their own way through the “parent material”, exposing the geology of the earth as layers accumulated in places, revealing the genesis of the earth. This process is remarkably similar to the archeologist’s meticulous labor exposing the life and times of the dwellers within the caves. They pick through the dirt, and read their ancient history, their recipe books, their enemies, art and births and deaths and other woes. It is all there, we just need to learn to read the specific language of the past. 

Our desire to decipher the future forces us to study the past and our endeavors to do that focuses our minds on various measures of time. The most predictable of all are most probably the seasons. As summer turns into autumn, announcing winter, there is always for me a sense of promise in the turning of the seasons.  The earth is telling us: “Yes, winter is coming, and it will come, but beyond winter lies the season of promise! Spring and summer”. Then, the plants will blossom and bloom, seeds will germinate as will ideas, others will come out of hibernation and a new cycle of life will initiate itself. So the seasons are predictable, we know to a large extent what lies ahead in broad terms. We are however completely unable to say with definitive accuracy if this winter is going to a cold, or a mild one… we stash the wood none-the-less. 

Studying the beasts of the veld and the food and feed they eat for nourishment, we can determine that some will live one season only, others will be around for a few. The pachyderms will most probably live as long as one can expect a mammal to live for. We can predict, based on the past, that the impala will drop their young at the right time, when the earth generously provides; each year, they will do it, until their end. So can we, if we get a mate, if we are fertile, if we have enough to build a home and if, and if, and many many other ifs… That level of detail is not known, and never will be. But, strangely, we know what we need to know. We know the seasons are pretty well defined in time, so we can prepare our fields and plant our crops, and harvest and plan for the dry months. We can count our kids and determine the amount of food to hoard. Perhaps that level of detail is enough, do we need to know more?

I wonder about the history I am writing for my sons and their children. It reminds me that we need write good stories in the sand for those who follow us. It is in our power to make the present good, for what we do today, will, like the rhino’s path, be tomorrow’s history. We may not be able to know our future, but perhaps and far more importantly, its our duty to make the history books of those who will follow us worthy of further examination! Make that history good, make it count - it may change someone else’s tomorrow. 

Perhaps, like the past, the future is written in these rocks and trees and rivers and tracks in the sand.  Perhaps the days and the nights are the individual words, the months are the paragraphs, while the seasons account for the sections of the chapters, announced by the different years, punctuated by droughts and wet seasons. As such there may be many books, libraries in fact, all capturing, harboring and hiding the history and the future for those bold enough to read the words.

 
















Sunday, May 11, 2014

17. Understanding death: the Matobo experience





Death is often regarded as a singular once-off event. The end of life. Like birth, it is one of the most important “events” in the journey of life itself. It marks the other end of birth. The final stage. As it is at the opposite side of birth it also creates very much the opposite emotions to birth - both for the individual who experiences it and the people who are “left behind”. (That euphemism actually says a lot more beneath the surface. In essence it means that death is after all not the final stage but that death actually allows the individual into the next phase…to leave others behind, the deceased is moving on, elsewhere!)

Most, if not all religions in the world, suggest in some or other way that there is life beyond the dark curtain of initial death. We either “go to heaven” or come back as another human or component of life, perhaps wiser and better equipped than before, ever improving as individuals. (An interesting thought to evolutionists… how do the reincarnates contribute to increasing vigor or value of the species?)
Being with Matobo, and seeing its processes and transitions and the flow of life in many different forms and mutations, death becomes more of a continuous process rather than a single event, often challenging my understanding or perception of death, which was primarily formed as part of my Christian upbringing. Death as the end of life becomes a little more muddled when one looks at nature and how death is manifested in other beings. 
While I may have seen many dead trees, the actual death of a tree may take many years to complete, a slow process that reduces the elaborate branches to mere wood, which remains a wooden skeleton for decades, as if it created its own tombstone, the final tribute to many years and cycles of life and death itself. 

In the case of deciduous trees, large parts of the tree die off each year, the bark and leaves peel off and fall to the ground and they are incorporated in the soil beneath the tree, turned into nutrient-harboring compost which the plant may absorb in an absurd form of auto-cannibalism (which is a completely different subject - lets contain our focus to death!).  Trees, or at least, parts of trees die off every year, something higher organisms such as humans and other mammals do not experience. The skin is said to be the largest organ of the human, and therefore snakes and other reptiles who lose their skins each year, shedding it to sport an entirely new fresh skin, therefore also suffer some limited form of an annual death cycle!

Like the tree, that grows new leaves all the time, or in annual bursts every spring, colonies of termites and bees, may grow new individuals who can not survive on their own, and therefore form part of what is often referred to as a single organism, the colony. The “castes” represent different organs - the breeders are likened to the reproductive organs, and those growing mushrooms from lignin and other plant material are said to be the gastrointestinal system of the larger being etc. Here the death of an individual is nothing more than shedding an epithelial cell or two in the digestive tract of the larger organism. So, how do we define death in this case where the death of an individual is simply an unimportant process of recycling as fresh beings contribute to the larger whole?

While an individual tree may experience many years of cyclic deaths or deaths of smaller parts of itself, some vegetatively reproducing plants, like certain grasses, may actually never really die! The clones or new shoots grow from parent material and although seen as “new youngsters” they are actually the parent plant itself, at least genetically. While other parts of the plant, other clones may die off, the actual individual may end up as many individuals and while some of these may die, the actual plant survives many deaths! The original remains intact and alive in many places all at once! Bizarre.

My beloved lichens may undergo a similar process, though it is even more complex, considering the fact that they are made up of two species merged into one morphological being that grows clonally for many thousands of years, separating from itself and creating “new” colonies (yeah, not even individuals, cause the individual is made of at least two species!!!). So for them, and we may not be able to fathom it, death as we know and understand it - may actually never come! Great, is it not?!
What would be catastrophic is the death of an entire species, extinction, the ultimate death. That would constitute the passing of what could be a critical component of the complex system. As long as the deaths are countered by births and clones and seeds emerge to replace adults with young then its all ok. But too many deaths of critical components may lead to the death or collapse of the entire system as we know it. Meta death, if there is such a thing!


Incredible as nature is, this has happened many times before, and may happen again. We can only hope that a new order may emerge from what is left and evolve to initiate another revolution of evolution around the axis of life itself.





Sunday, March 2, 2014

16. Matopos' Birth



I have not written about Matopos for a while - there were other things happening in my mind and heart. But I have been there many, many more times and have found myself thinking about the birth of Matopos. How was Matopos born? Did anyone witness that great event? It must have been a wild and torturous time for the earth to bring forth such a place, to nurse it through puberty and allow it to mature and cool down and settle here in the heart of Zimbabwe.



Of births, I have seen many. As a young child I sat watching my fathers fish tank, waiting the whole night for a guppy to give birth! (Yes, some fish do give birth to live fish/fingerlings.) I have disturbed many chickens, every few minutes, to see whether another chick has hatched. I even took an egg to school in my pocket once to make sure I didn't miss that wonderful moment when a wet lump of bloody down and pink flesh stands up to be a chick – proud and willing to take on the whole coops roosters! Similarly, I have watched and helped my dog, Tanya, give birth to a basketful of pups. I saw a giraffe being born once and even saw a shriveled little rhino taking its first steps in Zululand, still wet and unsure about this whole new world. I attended the births of two of my sonsmuch more dramatic and painful and filled with emotion, both of pain and suffering and ecstatic jubilance once we counted the toes and fingers and a nurse or pediatrician had given us the thumbs-up! 

All of these events have a component of time attached to them. For the rhino it must have been a long, long wait, while for Papas guppies it was almost as frequent as the lunar cycles but still, each time, caused a stir in the household. New life is precious. Always.

When I marvel over Matopos, I can only imagine the pain and suffering it required to bring a place like this into being. The clouds must have built up into a tremendous storm, with great winds sweeping the empty grassy plains, with not much to make a traveler pause his passage. Then, like the first cracks of my precious batch of ostrich eggs, but at a massive scale, the earth may have ruptured, and I imagine some watery, rich soils oozing from this first sign of new life. For days and days, like my baby ostrich, this new world may have been eking its way to the surface, slowly breaking through the inner layers of ancient earth forced from behind and below by the eagerness of lava desperate to reach the outside world; just like the first of Tanyas pups, always the strongest, most inquisitive and proudest of the litter. (I always cried when the first pup was sold!)

I imagine the earth opening and the first of Matoposs great and immense ghommos and dwalas emerging from the inner earth, wrapped in smoldering red blood that rolled off the sides into what we see today as the smaller boulders and rocks surrounding the base of these grandiose granite hills. Some would simply work their way out, sliding into a new place of existence with great ease and dignity, while the smaller ones would be voided into piles of rocks as if by some ghastly beast. Yet others would be flung by ancient pneumatic forces deep into the birth-night, brightening up the sky like fireworks announcing some great event. Cluttered rocks and the earth's rubble would be swept into unimaginable configurations in bursts of energy, anger and relief. The noise must have been incredible when the earth opened up and spat out Matopos. The whistling of earth's gaseous excrement must have pierced through the sky like a million steam trains, leaving great fires in their wake, ignited by sparks as rocks were hurled through the sky!

I would not be surprised if a few moons, smaller planets, meteors and other inquisitive extra terrestrial marvels came to witness it… because it must have been an event of great significance. It was certainly the birthplace of an international conservation significance! Perhaps the geomorphologists – physicists and geochemists or those who study the birth of geographic entities – may be able to put a time or period or even an epoch on this event, but I suspect it took a long, long time. It is, after all, a large place, perhaps not big in geological terms but, nevertheless, a milestone in the evolution of the earth.

Once those first cracks became evident the great herds most probably scattered, not to return for many, many generations. Or not until the place calmed down and it was cleaned up and sterilized like a theatre after the difficult birth of breached twins or a hasty caesarian to save the life of a newborn. Here the process had to take care of itself, over time. The universal healer, time. 

Last week a friend a pointed out an elephant shrew slowly making his way out into the last of the summer rays to heat himself before his rocky tavern cooled down. I can see in my mind how the larger herds, having not heard any further commotion beyond the horizon for many a decade, like our little shrew, slowly snuck back, like the animals of the veldt emerge after the thunder rolls away in the distance. They came back, followed by their hunters in little bands of prehistoric people who slowly wandered through this fledgling landscape like the first visitors to a newly-established museum. Here they settled, some demarcating their territories with song or dung piles, while our early brothers and sisters painted the inside of their caves with elegant figures of what they saw on the outside. The chaos subsided and Matopos grew into a boisterous infant, not unlike the clumsy pachyderms that frequent this place now, then into a young person blooming with her own young and fertile as the veldt itself. 

As is the way with nature, the landscape today resembles the peaceful scene I encountered one night when I could not resist the urge. I managed to sneak past a vigilant nurse, and took a glimpse of my tranquil wife nursing a newborn son. I remember the pain and angst of a new mother, but that scene of great tenderness, love, devotion and complete serenity will always persist. Like Matobo.







Monday, June 10, 2013

14. Reflecting Matobo


Please visit the The Arts in Focus to obtain information about our 2014 Matopos Calendar - 
an initiative supporting rhino conservation in Zimbabwe.

I had a dog during a period of my life when I really needed a good friend. Although he died young, he helped me through the turbulent teenage phase, and he helped me well. Jack had an incredible and uncanny way to sense my mood. On those vibrant exuberant spring days so characteristic of the lowveld where I grew up, he would adjust his behavior either to complement or to accommodate mine. When I was happy Jack would bounce alongside me, panting in anticipation. When I was sad or lonely he would simply walk next to me, watching me, to be there for me, strong and powerful, the rock against which I could lean. When I sat at a waterhole watching a herd of impala drink, he would push his body right up against mine and lean his head on my shoulder with a wet nose in my neck, breathing gently onto my skin. That would have its magic effect on me and soon my mood would improve, and invariably Jack would run ahead in the footpath, towards home, happy with his personal achievement, wagging his tail because his master was in a better mood.

 Many years have past since I spent a real thought on Jack, that is until I got to know Matobo better. As with my dog, Matobo senses my moods and, more importantly, my needs. My mood is reflected in the atmosphere as I move through this incredible landscape. How is it possible that this place can easily mold itself around the emotional needs of a man, in fact of all the people there?

I go to Matobo as an escape from the sadness in me… and Matobo accepts me and reacts in a gentle way, offering me comfort and guiding me through the rough parts in my heart. He accepts me as I am without rejecting my negative emotions. Instead, he works with them and gently, gently makes me understand, accept and handle those emotions. Subtly, he shows me the blue sky and the new fresh leaves, a gust of wind may bring new smells and who can remain sad when you smell the first rain on dry soil?

I once went to Matobo to seek peace, cause I was angry at life, angry at what happened to my mother, angry that life is unfair and walked long and hard through the rocky landscape, and this time Matobo reflected my anger. Again my feelings were not rejected, simply accepted and dealt with. The thorns of the acacias ripped through my skin, bit into, and tore bits of leather from my shoes. The granite rocks, hot in the midday sun, reflected my own anger in heat, and where I had to lean against the rocks to regain my breath it burnt like the fury in me. The place was angry and he was not afraid to show me his anger. I sensed his immense anger and it shocked me into silence. I stopped to think. Was Matobo angry for my own reasons? Or was he angry because of his own reasons? Perhaps the grass that was burnt, the rhino that were poached or the gold panning in the rural areas, scarring its surface? No matter the reasons for his fury, I could feel it in the trees and rocks and boulders. I could hear it in his angry roars. The incessant cicadas were screaming it out in frequencies and decibels that befit the anger of the behemoth.

I thought about my own anger. I tried to justify it, fight it out, even screamed it out but my own human voice faded in the rocks and did not carry like the roar of a lion or the call of the fish eagle. It faded into insignificance and fell limp at my feet. I was defeated. Defeated by anger.

Matobo understood and allowed me space. Allow does not mean pamper. It does not mean he agreed and supported my anger. He only reflected it, showing me what it is, showing me the futility - the lion does not roar its anger, nor does the fish eagle call his anger over the echoing valleys. They communicate in peace and harmony, and therefore the valleys are prepared to perpetuate those good sounds, amplify them and echo them. But my anger was simply absorbed and muffled in the thick vegetation. There is no harmony in the voice of human anger!

Just as my dog many years ago coached me out of my anger, Matobo did it too. Once you vented your anger, fought the fury of it and the blood on your arms and legs dry up and can be scratched off, exposing the torn skin, then all you have from your blind fury is the burning sensation of thorns and nettles and abrasions from sharp unforgiving granite. The rage of fury at least brings some understanding, even if it is only the understanding of defeat.

Humbled by this experience I lay on my stomach amongst the ever-present lichens and let their brilliant colors permeate my heart and mind. Matobo, is like a great big mirror, a channel of vision straight into your heart and mind. In its wisdom it allows you to see yourself the way you are. It reflects the real you, and many times that is not what you want to see. For it is this image we have within us that we want to hide from the rest of the world.

Matobo however has a way to help you deal with it. At first it will show you who you are, what you look like, then it will allow you to go through your motions and tantrums… but slowly it will reel you in. You will walk out on top of a large rock/dwala, into the breeze. The anger will suddenly drain out of you, induced by the cool breeze in your face. You will breathe in deeply, perhaps for the first time today. Your mood will changes as you allow this place to guide you and mold you back into the shape you ought to be. Just allow it. Don’t fight it for longer than you need to. Bend your ways like the water bends the reflections of the reeds in the early morning. It will slowly bring you around the way the wind flows through the valleys, then it will show you the other side, the better side. The beauty within.